By Silvia Nakkach
Sound as vibration has the ability to permeate all things. Sound originates in space. We live in space, breath air, receive energy from the sun and the earth at every moment, and yet, the awareness of the essential relationship with these primal elements only happens during heightened states of consciousness, when we become sensitive to the gross and subtle dimensions of these essentials. Sound travels through us, activating our bodies and our imagination, and modulating our mood in the process. We connect and process sound as information. Everything we do, think, sense, and feel, carries a vibrational frequency that creates and can change our circumstance at every moment.
The most ancient cultures on the planet believed that material reality is the manifestation of primordial vibration. Even the Bible teaches that “In the beginning was the Word, and the Word was with God, and the Word was God.” – John 1:1
Early and contemporary spiritual traditions, the mystical experiences of sages and shamans, and scientists alike propose that vibration (spandam, the first sound) is the beginning of all creation. Both the material and the absolute realities are nothing but pulsations and at every level there is sound component of the universe. Through the finesse of their yogic practices and meditation, the sages as well as the scientists distilled the microscopic and molecular stratus of sound in detailed scales. The ancient Bön and Dzogchen teachings, which predate Buddhism in Tibet, also state that sound is in the basis of all manifestation. In a newsletter of the International Dzogchen Community, Costantino Albini writes:
“In the most ancient Tibetan mythological cycles, sound is considered to be the original source of all existence. Sound, which from the beginning of time has vibrated in ineffable emptiness, arises through mutations of light and then differentiates into rays of various colors from which the material elements that make up the entire universe originate.”
Albini is describing how sound gives birth to light, and how light shines out in rays that become the elements—quite literally the physical matter of the universe. In many ancient traditions, sound and vibration are present as a gateway to contemplation, divination, and spiritual development. In the Vedic tradition, derived from texts originating in ancient India, the “Word,” as it is conceived of in the Western Bible, is called the Nada Brahma.
The primordial and transcendent sound is considered the seed from which all of creation evolved. This is the Nada Brahma. Nada, or vibration, is the first audible sound, the primordial roaring, the resounding flow that heralds the beginning of the evolutionary process from which energy and matter radiate. Brahma, the creator God, is the creative power that animates one’s divine consciousness with the power to move the heart.
The original, eternal Nada vibrates at the highest rate of frequency. In physics, when an object vibrates at an inconceivable speed, it appears to the eye that it’s not moving. It’s fascinating that the highest point of vibration is stillness; in the dimension of sound, this is experienced as silence. Above a certain level of high frequency, sound becomes inaudible and can only be perceived subjectively. The ears cannot perceive sounds that are vibrating at such a high rate. Thus, Nada is both the beginning of all sounds and manifestations, and, in the realm of consciousness, Nada is the vibratory rate of silence.
Whatever way you look at it, even as meditation or contemplative practice, an experience of Nada—savored in the intimate union of sound and silence—becomes the super-highway to the therapeutic process. As practitioners of sound as yoga and transpersonal music psychotherapy, we consider Nada the beginning of the boundless healing power of sound. The journey to wholeness starts with awareness, clarity, and a moment of suspension.
It is interesting to see that creation and sound have, in most religions and civilizations, enjoyed a cosmic relationship. In the Indian philosophy, sound, dhvani or nada is the basic substance from which the universe of music and expressive utterance and indeed the entire universe has emerged, the Nada-Brahman. The nada is linked to the source of creation, to space and time, to the senses, to symbols, melodies and structures in music, and to sonic design in terms if resonance and acoustics.
The Hatha-yoga-pradipika 3.64 says that the mind absorbed in nada does not crave for sense objects. The unstruck sound, anahata nada, is heard in the anahata-chakra, the psycho-energetic centre located at the heart, the seat of transcendental consciousness. In this seat of the divine can be heard the immortal sound not produced by anything. It is the divinity inherent in music that connotes this sound of the soundless, and endows the yogis with super sensuous sound, from the audible to the inaudible, transcendental sound. They stir the depth of the ocean.
Related posts on the SMC Blog:
- Interview with Christine Stevens (video/audio): Healing Sound: A Conversation with Christine Stevens
- A guided exercise from Christine Stevens: Finding Your Rhythm
The above text was excerpted from Silvia’s upcoming book Sound and the Subtle: Transforming Emotions through Mantra & Raga Yoga.
Silvia Nakkach, MA, MMT, is a musician that has cultivated a voice that transports the listeners into heart of devotion. An award-winning composer, former psychotherapist, and a leading authority in the field of sound and consciousness transformation, she is on the faculty of the California Institute of Integral Studies, where she has created the world premier Certificate in Sound, Voice and Music Healing established in an academic institution. She is also the founding director of the Vox Mundi and the Mystery School of the Voice, a project devoted to preserving sacred musical traditions, combining education, performance, and spiritual service, with centers throughout the USA, Brazil, Argentina, and India. As an internationally accredited specialist in cross-cultural music therapy training, Silvia has pioneered the integration of microtonal singing and the ragas of India with integrative medicine applications, contributing an extensive body of vocal techniques that have become landmarks in the field of sound and music therapies across the world. She has released 12 CD-albums, and her last book, FREE YOUR VOICE, is making history among musicians, vocalist, healers, yogis and spiritual seekers. Her thousands of students across the world refer to Silvia as the Minister of Transportation and Transformation. Meet her here: www.voxmundiproject.com
Listen to her recent interview with Tami Simons from Sounds True: The Sacred Sound